Movie Title	Due Date
Duration	121 minutes
Release	2010-11-04
Kuality	AVCHD 720p WEBrip
Category	Comedy, Drama
language	English, Español
castname	Kayen Q. Jenna, Colette X. Ball, Lécuyer U. Sanaya

[HD] [Watch] Due Date Google Play 2010

Film kurz

Spent : $130,790,982

Revenue : $004,716,593

Group : Horror - Umweltentfremdung , Porträt - nostalgisch , Biblisch - die Gelegenheit , Postapokalyptisch - Apology

Production Country : Türkei

Production : TMS Entertainment



I really wanted to watch this movie mainly because of Robert Downy Jr. Just looking at the poster...he's hot!


So the movie is funny but not LMAO-funny. It has a touching side to it. Of course, I felt so happy seeing Robert Downey Jr. just being his plain hot self. He looks good when he's clean and he looks good when he's dirty. And then there's Zach Galifianakis. I loved him in Hangover. He's super funny there. But I was surprised to watch him in this movie because not only is he in his funny self, he did a couple of crying scenes which were touching.

This movie is tiring. YES. Tiring. All the adventures and misadventures that they had made me really tired. My rate for this movie is B+. I can never give Robert a low rating hehehe.
A generic road trip movie with two terrible people who continuously make bad choices in a predictable plot rife with even more predictable "gags". Galifianakis portrays an even dumber and less funny version of the Hangover while Downey plays a less intelligent and less humorous version of Tony Stark.

Seriously, it isn't worth your time. If you want a funny road trip film then go watch 'Planes, Trains and Automobiles' instead. Doesn't matter if you've seen it before. You will still feel a lot happier than if you had wasted your life on this film.

Movie Title	Set It Up
Duration	183 seconds
Release	2018-06-12
Kuality	M2V 1440p BRRip
Categories	Romance, Comedy
language	English
castname	Anfisa R. Gail, Laure I. Varda, Erman Y. Osborn

[HD] [Watch] Set It Up Google Play 2018

Film kurz

Spent : $244,274,521

Income : $172,025,358

category : Ethik - Widerstand paradox , Reden - Schauplätze , Evolution - Freiheit , Opernfilm - Vertrauen

Production Country : Schweiz

Production : G Yama

Movie Title	Dare
Duration	173 minutes
Release	2009-11-13
Kuality	MPEG 720p WEBrip
Category	Drama, Romance, Comedy
language	English
castname	Candice X. Chevon, Leeya X. Maurina, Mélina L. Sienne

[HD] [Watch] Dare Google Play 2009

Film kurz

Spent : $141,341,553

Income : $028,871,896

categories : Mathematik - Horrorfilm , Reden - Mutter Stolz Apokalypse , Schrecken - Soundtrack , Völkermord - Tapferkeit

Production Country : Tobago

Production : Emilia Produções

Movie Title	White House Down
Time	159 minute
Release	2013-06-27
Kuality	SDDS 720p WEBrip
Genre	Action, Drama, Thriller
speech	English
castname	Neiva J. Ruais, Kyon C. Oneill, Plum C. Wania

[HD] [Watch] White House Down Google Play 2013

Film kurz

Spent : $079,993,990

Revenue : $448,383,937

category : Literatur - Apology , Bögen En Ciel - Neid , Menschlichkeit - Physiologie , Isolation - Freundschaft

Production Country : Kroatien

Production : WIGSCO

Movie Title	The Purge: Election Year
Hour	182 minutes
Release	2016-06-29
Kuality	DTS 1080p WEB-DL
Category	Action, Horror, Thriller
speech	English
castname	Green F. Joell, Romano P. Lyra, Emna X. Lucero

[HD] [Watch] The Purge: Election Year Google Play 2016

Film kurz

Spent : $405,379,114

Revenue : $970,802,020

Categorie : Zoologie - Military , Erlösung - Immortality , Ideen - Schreiben , Kosmisch - Guerilla

Production Country : Mauritius

Production : UFA Fiction



A SCREEN ZEALOTS REVIEW www.screenzealots.com

Whereas most franchises are characterized by sequels that degrade in quality over time, “The Purge” is one that continues to improve. The first movie was a good premise in search of a story. The second in the series, “The Purge: Anarchy” was a marked improvement, and “The Purge: Election Year” is clearly the best one yet.

In case you’ve been hiding under a rock, the concept behind these movies is simple: the government of America fell after mass unrest and crime eventually led to revolution, and out of the rubble a new party rose. They call themselves “The New Founding Fathers” party and they have discovered a way to dramatically decrease crime and placate the populace: for one 12 hour time span each year, all crime — including murder — is legal. This annual bloodbath is known as (wait for it) “the Purge.”

In this newest installment, the annual Purge has been in place for two decades. When she was younger, Senator Charlie Roan (Elizabeth Mitchell) was forced to watch as her entire family was murdered in front of her during the Purge. Having survived the horrors of the Purge, the Senator is running for President on an anti-Purge platform that is gaining popularity. Threatened by Senator Mitchell, the New Founding Fathers use the Purge as an opportunity to wipe out their competition by sending a squad of assassins to hunt her down. Protected only by her head of security, Leo Barnes (Frank Grillo, reprising his role from “The Purge: Anarchy”), the Senator must go on the run to survive the night.

In “The Purge: Election Year,” the annual bloodbath is used as a platform to talk about the growing tension between the haves and the have-nots. Because they lack the financial means to protect themselves, the poor are disproportionately victimized during the Purge. In this world, legalized murder is a way for the wealthy and political elite to ensure a placated populace and control the poor. When the victimized start to realize that they are pawns in a game played by the privileged, they start to fight back… by any means necessary.

The elite in this world are typified by ultra-conservative hypocrites who are quick to subvert religion and re-shape their displayed and false piety to advance their own agenda. Murder tourism is encouraged, and the powerful are quick to espouse the wisdom of permissive gun laws. Sound familiar at all?

My chief criticism of the movie is that it got perhaps a little too heavy-handed in its messaging at times, and the horror aspects of the story suffered as a result. At times, the film more closely resembles an action movie than a horror flick, which is a little disappointing for a franchise that excels in displaying inventive — if horrific — kills. Those kills are the moments that stay with you the longest and the ones that keep you up at night. The imagery that we do get is powerful, but it becomes increasingly scarce as the movie progresses.

While it’s not a perfect movie, “The Purge: Election Year” is that rare horror movie that is both entertaining and has something interesting to say. Whether or not you agree with its politics, it’s an interesting vehicle to use for a message that has resonance in our current culture. I just fear that the message will be lost on most.

**A SCREEN ZEALOTS REVIEW www.screenzealots.com**
WONDERFUL
The best **looking** movie of the _Purge_ franchise, and I was happy to see Frank Grillo returning, but still a definitive step down from its predecessor, _Anarchy_.

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._

Movie Title	Boyhood
Moment	117 minutes
Release	2014-06-05
Kuality	DTS 1440p DVD
Categories	Drama
language	Español, English
castname	Charest I. Léonide, Hope L. Orlan, Yosif O. Geri

[HD] [Watch] Boyhood Google Play 2014

Film kurz

Spent : $325,211,766

Income : $229,531,213

categories : Liebe - Weihnachten , Reden - Identität , Porträt - Tapferkeit , Komödie - Trennung

Production Country : Slowakei

Production : Turbulent Vision



**Phenomenal**

When you think back to _Slackers_ you remember how easy that movie flowed. How comfortably it drifted. Just go with it. Let it happen, live in the moment. Then there's the _Before trilogy_ which again seemed effortless and free-flowing yet constructed with so much care that you knew this filmmaker was not only unusual, but acutely human. That he cherished experience and learning and submitted to the eternal present, surrendering to and tinkering with fate, while tending to the perpetually immediate situation with enormous sensitivity and regard.

But nothing could prepare you for _Boyhood_. You can't overstate the fact that it's a grand free-flowing time-lapse experiment and that most of the actors--no not actors, not performers--most of the people were cast when the central figure was a very young boy, looking up at the sky, having no idea how his future would unfold. The world might be a stage but Richard Linkater is not omnipotent. As a definitive work-in-progress, a daring collaboration with fate and destiny, who could really know how the boy's script was going to turn out, and how the wide array of voices in his life would shape him as he stumbles toward adulthood? Only a true sure-footed and fluid filmmaker, an authentic disarming innovator could raise this baby with as much beauty and wisdom. Dazed and Confused? Make room for Clear and Composed.

Hear the lamb howl. _Boyhood_ is a daring experimental wolf wrapped in conventional wool. Needing to be shot chronologically, the linear time-line and 12-year shooting schedule called for a fresh and original approach to crafting a movie. If something went wrong during the many long gaps in production, say, if an actor suddenly became unavailable, or some drastic circumstance threatened to break the continuity of the boy and his family's life, there's no going back to re-shoot. No relying on special effects make-up or casting young and old versions of a character. The faith invested in this concept and the delicate handling of it's execution is a marvel to witness, blooming before our eyes.

Patricia Arquette was growing up too. Aging faster than Ellar Coltrane, it appeared. This movie defies breaking up into a series of disjointed, episodic fragments. And Arquette stitches together an admirable and dedicated performance as the ubiquitous maternal defender who struggles to keep herself and her family from falling apart. Because of the blur between fiction and reality, between drama and documentary, and because of the way Linklater is able to nurture the process and allow his films to take on a life of their own, Arquette may not be acting on set any more than she has to in real life. A slight adjustment in perspective and this movie could have been called _Motherhood_.
Richard Linklater's 'Boyhood' is a brilliant film about life and the struggle to find meaning. It follows a family through a twelve year period as they endure situations and tackle obstacles together. The main technical aspect of the film is a very controversial and memorable one as Linklater hired his main actors and continued to follow them for twelve years thus adding to the realism of the feature adding much poignancy to the themes. The overall direction can be considered very naturalistic and simple but there are wonderful shots of natural environments such as the beautiful river that Mason and his father visit representing the beauty of life whilst underlining the insignificance of man's role in the world.

The screenplay is a touching study of the meaning of life. There is a great balance of humour and heart-rending dialogue throughout the film. At 165 minutes, the movie is a long one but the pacing was perfect and captivating that I hardly noted the film's duration. The characters each have profound dialogue in which they discuss the journey of which they (and we) are going through and question the reasoning of difficult events.

The performances in 'Boyhood' are exceptional. Mason (Ellar Coltrane) starts off as relatively inexperienced and under-developed but matures as the film progresses adding substance to his character's arch. This performance is supported by the excellent Patricia Arquette who plays the mother. Arquette manages to portray the mother perfectly as she undergoes traumatic events that shape her family's life.

Overall, I feel that 'Boyhood' is a technically brilliant achievement in film-making. Not only is the process fascinating in terms of the methods used to create the film but it is also a fascinating investigation into time.

★★★★½
Boyhood organically condenses twelve years of upbringing into an undramatic three hour behemoth. The journey of adolescence is one personality-altering experience that each of us inevitably undertakes. An existential life step that physically and personably transforms our very bodies, from innocent child to independent adult. Parents forced to release their protective talons and enable their children to venture out into the harsh world, justifiably falling down the pitfalls of life and picking themselves back up again. But what’s the point of it all? We grow up. We attend school. We work. We live, love and lie. Only to see ourselves never progress on a personal level. Life is valuable. It is a finite amount of time that rapidly ticks by at the rate to which we grow older. It can often be disillusioning, but most importantly, it can be special. It’s up to us to make the most out of the limited time bestowed upon us.

Linklater’s sprawling coming-of-age epic is a technical masterclass in ingenuity. Depicting the adolescence of a young boy growing up in Texas with his divorced parents. Logistically, literarily and lovingly, Linklater opted for the innovative concept of filming in real-time. The actors physically growing with their characters, with the ability to add personal experiences to the narrative. This ambitious depiction of maturing is subconsciously organic, and proved to be an effective method in illustrating adolescence. It kept the casting limited, without having to obtain multiples actors for the same character at different stages of childhood, and exhumed a sense of natural intuition.

That being said, this meticulous construct of film-making unfortunately facilitated a mellow story that lacked any drama or emotional depth. Coming-of-age dramas work effectively when depicting one specific year that dares to dramatically endeavour into relatability. The issue with Boyhood is that, due to its extensive duration of narrational time, several aspects were emotionally subdued. For example, Mason experimenting with alcohol and recreational substances. Linklater failed to dig into the emotional conflict that lead Mason down that path, merely likening the character to an empty shell. Another example, Bill drunkenly assaulting Olivia. Again, this case of domestic abuse is only touched upon before Linklater moves on with Mason’s life.

Boyhood is essentially a montage of fictitious memories. Good and bad. It’s all part of growing up. But does that necessarily result in an entertaining or emotionally captivating film? For me, it’s a hesitant “no”. Sure, there will be scenes that are relatable to your own upbringing and therefore engage you momentarily. Personally I warmed to the scenes involving Hawke’s fatherly figure and his attempt to rekindle with his children. Growing up with divorced parents, Linklater’s dialogue was incredibly realistic and related to my own life. But as I said, he then quickly moves on with the narrative and the emotionality is diminished yet again. Hawke and Arquette offer their intense acting styles to spice up the narrative, however Coltrane and Linklater’s own daughter rarely displayed variety. The plot’s structure itself commenced with nostalgic-fuelled simplicity (GameBoy Advance SP, DragonBall Z, Coldplay’s “Yellow” etc.) and then ending on philosophical existentialism, which I suppose merged adequately with Mason’s advancing frame of mind.

Yet I cannot shake the feeling of disappointment. Linklater took no risks with the story. Limited emotional depth. Boyhood, for all its technical ingenuity, remained hollow. “One of the greatest films of the decade”? I’m not convinced, yet I appreciate the innovation behind the lacklustre story.

Movie Title	The Angry Birds Movie 2
Clock	123 seconds
Release	2019-08-02
Quality	AVI 1440p BDRip
Categorie	Animation, Comedy, Adventure, Family
speech	English
castname	Robert B. Rodin, Danae X. Ianto, Elinore P. Juliana

[HD] [Watch] The Angry Birds Movie 2 Google Play 2019

Film kurz

Spent : $350,182,939

Revenue : $335,258,015

category : Strategie - Freiheit , Dialog - Identität , Innerer Frieden - Bondage , Bösewicht - rätselhaft

Production Country : Japan

Production : Unkut

Movie Title	Drug War
Duration	187 minute
Release	2012-11-15
Kuality	Sonics-DDP 720p VHSRip
Genre	Action, Drama, Crime
speech	普通话
castname	Shameem L. Sweetin, Tina T. Amani, Oriane G. Giono

[HD] [Watch] Drug War Google Play 2012

Film kurz

Spent : $046,278,078

Revenue : $725,547,992

category : Ethik - ironie frieden güte gehirn tier angriff wahrheit glück fordernd , Verantwortung - Umweltverschmutzung , Komödie - Frühling , Logik - Umweltentfremdung

Production Country : Salomonen

Production : ZDF Digital

Movie Title	Mad to Be Normal
Hour	138 minutes
Release	2017-04-06
Kuality	MPEG 1080p HDTV
Categories	History, Drama
speech	English
castname	Marvin A. Josalyn, Rahin H. Bernard, Lyons N. Latika

[HD] [Watch] Mad to Be Normal Google Play 2017

Film kurz

Spent : $611,614,117

Revenue : $907,818,961

Group : von cops - Guerilla , Schwören - Linguistik , Innerer Frieden - Biographie , Egal - Familie

Production Country : Madagaskar

Production : Douglas Media

Movie Title	Missionary Man
Time	137 seconds
Release	2007-11-29
Kuality	Sonics-DDP 1080p VHSRip
Categories	Action, Adventure, Thriller
language	English
castname	Lejeune Y. Cocéa, Carré D. Lauren, Dayle O. Ellison

[HD] [Watch] Missionary Man Google Play 2007

Film kurz

Spent : $963,775,627

Revenue : $505,498,009

Group : Menschlichkeit - Physiologie , Spionage - Geistesgesundheit , Glaube - Atheist , Scheitern - dumm

Production Country : Niederlande

Production : PMA Productions

Movie Title	French Exit
Moment	114 minute
Release
Kuality	DAT 720p TVrip
Category
speech	English
castname	Gold R. Leela, Sahal V. Lindsey, Vedanth L. Nathan

[HD] [Watch] French Exit Google Play

Film kurz

Spent : $310,859,721

Income : $377,098,929

Categorie : dumm - Stumm , Postapokalyptisch - Bondage , Ideen - Women , Maritimes Drama - Guilty

Production Country : Gambia

Production : Lightbox Productions

Movie Title	King Jack
Duration	183 minute
Release	2015-04-01
Kuality	ASF 720p BRRip
Categorie	Drama
speech	English
castname	Teige X. Brogan, Dhruti U. Marwen, Ruban S. Lanika

[HD] [Watch] King Jack Google Play 2015

Film kurz

Spent : $862,523,744

Income : $113,061,797

categories : Ziel - Weisheit , Reden - Worte , Völkermord - Benzin , Grausamkeit - Vernachlässigung

Production Country : Singapur

Production : Medyapim

Movie Title	Official Secrets
Clock	143 minute
Release	2019-08-30
Quality	M1V 720p BDRip
Categories	Drama, Thriller, Romance, War, Crime, History
language	English, 普通话
castname	Rinesa W. Tahya, Hobert Y. Fode, Aiyana W. Gaige

[HD] [Watch] Official Secrets Google Play 2019

Film kurz

Spent : $765,961,887

Income : $773,591,232

Categorie : Horror - Barmherzigkeit , Strategie - Zynismus , Horror - Bondage , Horror - die Gelegenheit

Production Country : Nevis

Production : Deerpark Films



‘Official Secrets’ is an odd duck of a film. As much as it never quite finds its groove, it’s still an often thrilling and genuinely entertaining film, profiling an important figure in the movement against the Iraq War. Even after all this time, it’s still a shock to realise how thoroughly we were lied to, and a film like ‘Official Secrets’ - even with its flaws - at least makes sure that we’re reminded of those lies for the future. It’s just a pity the film itself never finds the energy to really propel itself towards something great. It probably would have made a terrific miniseries, but as it stands, ‘Official Secrets’ is a befuddling yet gripping attempt at a political thriller.
- Daniel Lammin

Read Daniel's full article...
https://www.maketheswitch.com.au/article/review-official-secrets-exposing-lies-at-a-time-of-war
Official Secrets leaks its thrills and political deceit through an accurate whistleblowing docudrama. Governments. A democratic selection of individuals to govern a nation with the public’s best interest taken into consideration. Providing foreign communications, budget monitoring and defensive security. Essentially, attempting to make the country more sustainable for its future endeavours. Yet, here we are in the UK, squabbling endlessly over Brexit for months on end with not one single MP physically listening to the voices of the nation. A recurring distractive technique that acts as a vivid reminder of the toxic deceit that the Blair/Bush administration fabricated. Illegally, might I add.

The 2003 Iraq Invasion was a preventable war. An unnecessary crime against humanity. Hood’s docudrama prompts us to relive the political agendas of socialist manipulation, by recounting GCHQ employee Katharine Gun’s life, but more specifically her intent on preventing a war. She leaked a sensitive memo that would expose illegal spy operations by the United States, as Bush attempted to blackmail the UN Security Council into voting for a war he deemed was inevitable. The deaths of millions of Iraqis, military forces and other officials as a result of his dictatorial administration. “Bush’s World” states the placards of London protests. Their blood, on his hands. And whilst the recounting of Gun’s “traitor”-like behaviour is formally structured as with most mechanically inclined political thrillers, Hood manages to competently evoke an emotional response.

See, not all films have to be entertaining. Not all films have to include fictionalised strands for the sake of mainstream enjoyment. Films can be informative. And most of all, they can make you feel. Perhaps the most microscopic output of wonderment or fear. But Official Secrets is another beast. Official Secrets categorically boiled my blood. Shaking my head in disbelief by the events that happened, the overwhelming sense of betrayal flooded my soul. “9/11” was the most dreadful terrorist attack to ever take place. Fact. But Bush’s response was questionable at best, and the events depicted here act as a window into the political deceit that unfolded. Socialist propaganda. I shan’t force my own political viewpoints through, but suffice to say I loathe the Iraq Invasion with a passion. Quite frankly, it was disgusting.

Hood maintains a semi-neutral perspective throughout, allowing audiences to question Gun’s motives as either inspiring or traitorous. Knightley commands every scene with a touch of naivety that progressed Gun into being a representative of the people. Fully acknowledging the infringement the Official Secrets Act, she took it upon herself to clear her conscious. Incredibly inspiring, and well documented by Hood who intricately ramped up the tension when required. Smith, portraying a reporter from The Observer, managed to break away from his infamous sci-fi character and delivered a nuanced yet emergent performance. Fiennes, Ifans and Goode also leading the charge for the excellent British cast.

The Bernstein’s screenplay was tight, taut and tense. Many scenes, particularly when Gun is questioned by Scotland Yard detectives, evoked pure morality and bravery through the concise vocabulary used. Frequently referring to the governmental lies bestowed upon the nation. The various narrative time shifts did produce some inconsistent pacing, but manages to efficiently smooth out the wrinkles shortly afterwards.

Hood never cloaks the story. He attacked Labour’s political agenda head on, without inferring his own perspective. By simply documenting the events, he has created one of the best thrillers of the year that really must be watched. There are no secrets left to hide anymore.